21st century digital printing technologies continue to provide opportunities for free-lance surface pattern designers. Joining the likes of Spoonflower, Society6 and Kekacase, we can now add BucketFeet.
What makes BucketFeet different is that their sneakers are sold in retail shops as well as online, and with generous artists' compensation.
According to their FAQ, the artist retains all rights to his artwork. If the artwork is chosen for a print, the artist receives a $2.00 royalty on each print sold. If the art is chosen to be produced on sneakers, the artist receives a one time flat fee of $250.00, plus a $1.00 royalty for every pair sold, plus two free pair of shoes. Read their FAQ for a full run down.
Sounds like a it might be a great opportunity to have your artwork seen! Is it one you would consider?
Enid Marx: Design
By Ruth Artmonsky and Brian Webb
Antique Collectors’ Club, 2013
Marx was a leader in engraving and drawing. She produced designs for textiles, pattern papers, end paper, book jackets, stamps, posters, labels, cups and saucers, and more. She wrote and illustrated books for adults and children, and authored articles, and was an avid collector of folk art. Her work was featured in exhibitions, and she took part in the design of textiles for the London subways and buses in the 1930’s-40’s, which were in use for decades, and created designs for the 1940’s
wartime Utility Furniture scheme to produce affordable furniture. Her designs were popular and had a singular, unique style. Her aesthetic is beautiful and fascinating—I love her abstract designs—and I found myself going through the color plates several times. The book is a wonderful read, outlining Marx’s journey from her student days to being an industry leader. She is inspiring as a designer and as a woman navigating business in a world of men at the time. If you love history and want to discover her work (or rediscover if you’ve seen her work before) this is a great addition to your library.
What is your background as an artist? What led you to hand-printed design?
My mom is an art teacher. She taught my sisters and me to work with all sorts of media. She showed us that the process is the joy and not to worry about the final result. I took my first printmaking class at the Kansas City Art Institute when I was in high school. I later went to the Corcoran School of Art and Design to study fine art.
What was your mission in creating Yellow Owl Workshop?
Both with my books and my goods, my mission is to put creative options in the hands of others. I get a kick when people that don't normally make prints or have the confidence to just play with techniques write me to tell me how much they enjoyed my products to create pieces of their own.
Covering walls and upholstered furniture with bold geometrics, beautiful birds, and flamboyant florals, her work has stood the test of time. Florence Broadhurst’s designs are again in the public eye, this time licensed by Kate Spade, who has applied them to everything from shoes, tableware, playing cards and Vespa scooters. It goes to show that classic designs can make anything more beautiful.