The Guildery officially launched this month with founders Shane Reilly (Decorati founder) and Kelly Berger (Tinyprints founder). The company curates exclusive patterns from leading artists, then produces high quality textiles and upholstered accessories on-demand, making it simple for design enthusiasts to finish a room with color-coordinated fabrics. With a range of high-end fabrics to print upon, The Guildery brings new luxe to the burgeoning on-demand industry.
Enid Marx: Design
By Ruth Artmonsky and Brian Webb
Antique Collectors’ Club, 2013
Marx was a leader in engraving and drawing. She produced designs for textiles, pattern papers, end paper, book jackets, stamps, posters, labels, cups and saucers, and more. She wrote and illustrated books for adults and children, and authored articles, and was an avid collector of folk art. Her work was featured in exhibitions, and she took part in the design of textiles for the London subways and buses in the 1930’s-40’s, which were in use for decades, and created designs for the 1940’s
wartime Utility Furniture scheme to produce affordable furniture. Her designs were popular and had a singular, unique style. Her aesthetic is beautiful and fascinating—I love her abstract designs—and I found myself going through the color plates several times. The book is a wonderful read, outlining Marx’s journey from her student days to being an industry leader. She is inspiring as a designer and as a woman navigating business in a world of men at the time. If you love history and want to discover her work (or rediscover if you’ve seen her work before) this is a great addition to your library.
What is your background as an artist? What led you to hand-printed design?
My mom is an art teacher. She taught my sisters and me to work with all sorts of media. She showed us that the process is the joy and not to worry about the final result. I took my first printmaking class at the Kansas City Art Institute when I was in high school. I later went to the Corcoran School of Art and Design to study fine art.
What was your mission in creating Yellow Owl Workshop?
Both with my books and my goods, my mission is to put creative options in the hands of others. I get a kick when people that don't normally make prints or have the confidence to just play with techniques write me to tell me how much they enjoyed my products to create pieces of their own.
Covering walls and upholstered furniture with bold geometrics, beautiful birds, and flamboyant florals, her work has stood the test of time. Florence Broadhurst’s designs are again in the public eye, this time licensed by Kate Spade, who has applied them to everything from shoes, tableware, playing cards and Vespa scooters. It goes to show that classic designs can make anything more beautiful.